
Portfolio
Script Sample
Baby in the Mirror was developed with the support of Arts Council England.
Its debut performance will be at Summerhall as part of the Edinburgh Fringe Festival, 2025.
Written & Created by:
Sammy J Glover and Stella Marie Sophie
Performed by
Stella Marie Sophie, Derek Mitchell and Zoë West
Directed by Sammy J Glover
Sound Designer: Roly Botha
Lighting Designer: David Doyle
Stage Manager: Rosh Conn
Produced by SecondAdolescence
Dave: So handsome. Look at them. They look so alike.
Did Joey, were they always…
Lena: Yeah i mean i think they knew since they were like eight.
They came out officially as a teenager. To their mum. I mean there weren’t words exactly at that time but they just said, like one day, they just said: mum i don’t think
I’m a girl. And she was like ‘ok sweetheart are you a boy?’ and Jo was like: no, I don’t think i’m that either. She had no idea about any of that stuff but was like totally
amazing. And Jo grew up as what Cath called ‘a bit of this, a bit of that’ and she said she’d always say to people when they’d ask if Jo was he or she, she’d say ‘my Jo
is my jo , not jo-he, not jo-she!’ and she’d let them wear whatever they wanted to school or to parties or whatever. I think school was hard for that stuff but she didn’t
give a shit about all that.
Dave: She sounds just like - holy
Lena: She is
I love her
She is a bit of a demi god, to be honest
Dave: Wow
Lena: That’s why Joey wants to be a parent. To give a kid the same like loving, affirming whatever cookie-cutter perfect childhood
Dave: Not like the fucked up ones we had, right?
Lena: .
Dave: Sorry I mean I don’t even know you
But the fucked up ones like us … we have an aura, right?
Lena: .
I mean.
(What the fuck?)
I -
there is an awkward moment.
Dave: Why do you want to be a parent?
Lena: Oh… I dunno. I mean it’s a bit of an overshare
Dave: (pointing at himself) Queen of overshare. Pray tell.
Lena: There was this time I was being fucked and I was on my knees and and my hands were in front sort of like this and it looked well it felt exactly like I was in one of
those films that we used to watch you know the ones in sex ed when they’re trying different birthing positions? Anyway, I started to fantasise about this tiny cone-
like head crowning out of my cunt at the same time as I was being pounded into and I was so immensely aware of my body and all of its holes and and then I
started to think about about death and and life and how I was just like any other animal who could and I wanted so badly to know what that was what that felt like
to have all of that inside me all that power to create something that has the has the head in the shape of a cone but also to fuck and to destroy everyone and
everything around me like some kind of like a fucking phoenix born of the ashes made of fire or fucking Ragnarok where the whole earth is destroyed only so it
can be reborn into something of my own making.
Beat
Dave: .
Beat
Lena: Do you think I'm a freak?
Dave: No. I -
No
I mean
It’s like … (holy)
I’m not religious - my parents were crazy religious
But i’m not
I just
It’s just
(he’s thinking about a baby)
Lena: Why did you lose touch?
Dave: Huh?
Lena: In high school, your best friend with the baby. Why did you lose touch?
Dave: Haven’t we been (through that). I moved away
Lena: But there are phones. You could’ve just ..
beat.
Dave: Are you interviewing all the prospective sperm donors like this?
beat.
Dave: Ok…. Well… It got… It kind of fucked me up? I … We were so young and there were times when me and her and the baby. I dunno. I would like spend days and then
weeks at her house. She lived in the bottom of her parents house and you could walk down these steps to the utility room bit underground and that was where she
was. So it felt like, it felt like this separate house. I was like .. they were like my (family). and we’d just bitch about the baby daddy and she’d go to classes and me
and the baby would just hang out and i loved her. I loved her so much. but it was too (painful)...
There has always been this bit of me that wanted to ..
When i was a kid I wanted so badly to be pregnant, To carry my own child I -
I know, I’m a freak, But it’s the truth.
I know it’s fucked up.
Lena: That’s not fucked up.
That’s not -
You’re not a freak.
Dave: Thats… When i’d get home, from looking after the baby mum, I used to - I used to shove whatever up my top. Walk around my room imagining it was me, imagining I
was pregnant with this .. I dunno. I wanted it so badly, I wanted to be able to do that, to have the feeling of. That’s when I -
Lena: Left home?
Dave: I didn’t leave home. home left me. My parents found me, and I tried to - I tried to explain to them how my body felt. How it didn’t feel right, or it, it, didn’t feel good
enough. Like I couldn’t be what they wanted me to be, I think. To be a ‘guy’ or whatever, whatever the fucking bible bashers expected me to look like and sound like,
but they -
There was no way
They couldn’t hear any of it
My body - however long I’ve been aware of having one, I’ve been aware of the world telling me it’s wrong. My body got me wrong, or I got my body wrong or
whatever.
This body of mine doesn’t bear a child. It won’t ever bear a child. It can’t and it won’t. And I don’t know how to, it’s taken me a long time to come to terms with that.
Baby in the Mirror
Lena and Joey are having a baby
Lena's bought a pinstripe suit.
Joey's soaking wet.
A show about queer family making and what it takes to make one.
The show follows three queer people navigating what it might look like to create a family. Accompanied by an original sound design and composition by Roly Botha we shift from the political and practical forces working around them, to the soup of desire and bodily fluids churning inside of them.
Baby in the Mirror is the debut show of SecondAdolescence, a new Theatre company co-founded by Stella Marie Sophie and Sammy J Glover platforming queer and trans stories.
Sammy J Glover was the Director and Co-creator of The Last Show Before We Die (⭐️⭐️⭐️⭐️⭐️- Guardian), which also debuted at Summerhall at the Roundabout, Edinburgh Fringe.
Community work with feat.theatre
An intergenerational co-creation project made with queer communities in Stockton and Teesside, commissioned by ARC Stockton in 2023, presented in 2024.
We shared a documentary video followed by a performance and discussion to an invited audience in Stockton. It explored the queer ancestry of the area and looked towards creating a legacy for the area.
We will archive the project a year on from its conception, and in the meantime are still accepting submissions to a Teesside-based Zine.
Hear Me Out
The Welcome Revolution
A one woman show made with communities around the UK, exploring the idea of Welcome. (2018-19)
We performed at Camden People's Theatre, Gerry's at Theatre Royal Stratford East, ZOO Venues at Edinburgh Fringe Festival 2018, Warwick Arts Centre, York Theatre Royal, Hull Truck Theatre and Artsdepot after engaging with communities in Camden, Stratford, Finchley, Edinburgh, Stockton, Coventry, Hull and York.
Stella is an incredibly skilled storyteller and has a gift for making every single audience member feel included
Lucy Caradog, Three Weeks Edinburgh
.
Sample (Video)
Sample (Script extract)
I put the pot on the counter. Not everyone’s wishes could fit inside it. Someone told me another story about being uprooted:
ON MIC: “My daughter, do you remember it was that little child, Kurd, on the Turkish beach. My daughter, I have, that I have, she was five years old, she said, Mummy she said when she grew up she wants to be a Mermaid to rescue these children. I couldn't, I was crying and crying, she wants to be mermaid she saw this child, because one child, showed all the world how they look. She said I want to mermaid mummy to rescue, when I grow I up I want to be mermaid. Such a nice… She knows, she knows her father was a refugee. Last week she said, mummy I am afraid of third world war, she’s six years old, mummy I am afraid of war, so am I gonna be refugee? No, you are fine here, don’t worry”
Sample (Script extract)
Vote parliament, vote ‘democracy’. Vote waiting 5 years to make a change, vote the police, vote to sit one seat down from them on the tube, vote James Corden on comic relief, vote out of sight out of mind, vote your friends’ opinions, vote your bubble, vote a reason to hate the £5 note, vote to wait. Vote for yourself, vote to be angry, vote to cry, vote to listen, vote to learn, vote to work all of your life, vote money, vote another system, vote to fight, vote not to, vote for revolution and wait for it to happen, vote who gives a fuck what you vote.
A multi-authored piece interrogating the UK’s response to the Refugee Crisis in 2016.
After developing the piece as part of Wilton’s Music Hall’s Plays Without Décor scheme, it performed at the National Student Drama Festival 2017.
a powerful spoken-word piece directed by Josie Davies, appealed to the fence-sitters to act... screamed for us to take action - and underlined the consequences for refugees if we do not
Mary O’Connor, The Sunday Times
Say it Loud!
Selected Performance Photos
Ensemble
Six Serpents and a Tarantula (South-West Tour, Stage)
Clown Performer & Facilitator
The Flying Seagull Project
Facilitator
Morphosis (Creative Barking & Dagenham)
Her
No Other Choice (Short Film)
Leonora & Ensemble
Nine Moons (The Space)
Facilitator & Performer
Get a Proper Job, Discuss (Omnibus Theatre)